Where are you from?

Two years ago, I moved with my family from Hamburg to my childhood hometown. But the beautiful city is only a few minutes away.

Your style in 3 words?

Vibrant, bold, hidden-narrative

Your weakness? Your strength?

My sensitivity is both a strength and a weakness; it enhances my ability to observe and connect deeply, but it can also cause emotional exhaustion and uncertainty in social situations.

What makes you different?

I find it challenging to define what makes me different because I don’t strive to stand out. However, I believe my unique sense of humor, often paired with cynicism, allows me to approach serious topics from a different perspective, which many people can relate to.

When did you decide to become an artist?

For most of my life, I resisted the idea of being an artist. With my mother working professionally in art and as a teacher, creativity was always present in my childhood, yet my own artistic efforts felt half-hearted. A couple of years ago, I decided to embrace art again—this time without rules or constraints. It became a powerful outlet during challenging times, freeing me on a deep, personal level. I had spent many years working in advertising and media, but at some point, I grew deeply frustrated with my job. Finding this new path has been incredibly rewarding, allowing me to explore new forms of expression. There's also a certain intellectual satisfaction in simplifying complex or critical themes or hiding them within subtle hints. Somehow, something is now present that I had long missed.

Do you choose your art form, or does the form choose you?

I believe it’s a bit of both. I am captivated by simplicity, ease, and effortlessness, which naturally draws me to my current way to work.

What do you find most fascinating about your work?

I find the intensity of my emotions while painting truly fascinating. There are moments of great frustration when things don’t go as planned, contrasted with an almost obsessive focus when I lose track of time, forgetting to eat or drink. While I’m not typically impulsive, painting allows that side of me to emerge, and even though my self-doubts can be overwhelming, I strive to see them as opportunities for growth and improvement. But sometimes I also find it relaxing to just paint a motif without a story behind it, such as a vase with flowers or simply funny stuff.

A few words about your favorite creation?

I don’t have a single favorite creation, but I tend to gravitate toward pieces like ‘Don’t Like People That Much.’ This title reflects my recurring thoughts when I hear news about the world or face challenges in everyday life. Of course, it’s not a constant feeling—there are plenty of wonderful people out there too, but sometimes they can be hard to find!

What surprised you most about your first art shows?

What surprised me most about my first art shows was that they even happened at all. The very first was a group exhibition at the Fabrik der Künste in Hamburg, and I couldn’t be happier that they invited me. I’m consistently fascinated by carefully curated exhibitions; the variety of techniques and interpretations that seamlessly come together is inspiring. Good curation is an art form in itself.

Someone else’s work that inspired or inspires you…

I appreciate Eric Stefanski for his raw simplicity and depth. His works appear so carefree, yet it’s impossible to replicate his style. I’ve tried and failed miserably. 😉

Who would you like to work with someday and why?

I often joke that I ‘don’t like people that much,’ but I’ve met many inspiring individuals. However, I tend to feel overwhelmed by too much expression, so I would choose my collaborations carefully.